The film’s director, Todd Haynes, previously said that Joaquin — who had the initial idea for the movie — “was pushing it further into more dangerous territory, sexually.”
A producer has spoken out about Joaquin Phoenix’s reported exit from an untitled gay romance film only days before shooting was set to begin.
For context, Variety reported on Friday that the Oscar-winning actor had suddenly dropped out of Todd Haynes’ upcoming movie, previously described by the director as a “love story between two men set in the ’30s that has explicit sexual content.”
Neither Joaquin nor Todd has publicly addressed the news. However, film producer Christine Vachon — whose production company, Killer Films, had been attached to the movie — described the situation as a “nightmare” in a since-deleted social media post over the weekend.
Christopher Polk / NBCU Photo Bank via Getty Images
According to the Hollywood Reporter, Christine reshared an article about Joaquin’s departure from the project on Facebook, writing: “A version of this did happen. It has been a nightmare.”
Notably, Joaquin worked on the screenplay and was the one who brought it to Todd in the first place. Christine referred to this in her Facebook post while responding to backlash the movie received over the decision to put Joaquin, a straight man, in the lead role in a gay romance.
Rachel Luna / Getty Images
“If you are tempted to finger wag or admonish us that ‘that’s what you get for casting a straight actor’ — DON’T,” the post apparently read. “This was HIS project that he brought to US – and Killer’s record on working with LGBTQ actors/crew/directors speaks for itself. (and for those of you who HAVE — know that you are making a terrible situation even worse).”
In September last year, Todd spoke to Variety about how Joaquin came up with the initial idea for the story, saying: “Joaquin was pushing it further into more dangerous territory, sexually.”
Michael Kovac / Getty Images for AFI
“He had fragments of ideas and then I started to formulate them into an actual narrative,” the May December director recalled. “Basically it was just this wonderful, organic way to create the script.”